A theologian would have had no difficulty preserving the mystery… for he can employ contradictions. But since science does not have such a recourse, it is not an exaggeration for me to say that the difficulties of a fantasy writer who sides with science are generally greater than those of a theologian who acknowledges the perfection of God….
– Stanislaw Lem, Microworlds
Robin Mackay in his introduction to Collapse III says that “Deleuze himself told us simply to use concepts ‘like a toolbox’?”1 Such a riposte typifies the most deleterious aspect of the ‘success’ currently enjoyed by Deleuze; for any precision tool must be mastered before it is ‘put to work’, and for this one must understand, in turn, its own workings and its interaction with the rest of the conceptual ‘equipment’ in hand (ibid). Yet, even more than mastering the tool itself, one must understand the use of tools, and even more one must enter into apprenticeship with a Master of the Craft in which these tools are used if one is ever to truly put these tools to work in an effective manner.