One of the things of profound interest in Castaneda’s books, under the influence of drugs, or other things, and of a change of atmosphere, is precisely that they show how the Indian manages to combat the mechanisms of interpretation and instill in the disciple a presignifying semiotic, or even an asignifying diagram: Stop! You’re making me tired! Experiment, don’t signify and interpret! Find your own places, territorialities, deterritorializations, regime, lines of flight!
—Deleuze / Guattari, A Thousand Plateaus
Most of us live in a box, a black box, a reality system of which we assume we know everything but in fact know nothing at all. This notion of ‘stopping the world’, of countering the hegemonic reality system, of coming up against circumstances ‘alien to the flow’ of normalization in which most of our life is seen as a automatic process in which we act as sleeper agents in a world controlled by the thought police of some nefarious religio-secular organization: an assemblage or Secular Cathedral. All this is the truth of our lives in the world today! Most of the fringe systems of thought underlying our world history, the magical systems that run counter to the hegemonic order of signs that create our daily world have been anathematized and tabooed by the State or what some now love to call the Cathedral (Moldbug/Land). The Cathedral is the subsumption of politics into propaganda. It tends — as it develops — to convert all administrative problems into public relations challenges. A solution — actual or prospective — is a successful management of perceptions. (see Land)
Listen to Deleuze/Guattari again: ‘Stopping the world’ was indeed an appropriate rendition of certain states of awareness in which the reality of everyday life is altered because the flow of interpretation, which ordinarily runs uninterruptedly, has been stopped by a set of circumstances alien to the flow.” What Land said above is that our perception of reality is managed by a system of experts, a technocracy of academic, political, socio-cultural, media-tainment machines that command and control our perceptions – our awareness of the reality matrix within which we move and breath day by day.