The Apocalypse of the Human: Technicity, Magic, and Integral Reality

The overarching theme of these stories is about the perception of reality and the descent into madness as the characters become more aware of the nature of that reality.

—Intro to The King in Yellow and Other Stories: Tales of the Carcosa Mythos 

The human project was and is a metaphysical mystification, a metafictional project that has for two thousand years run its course under the rubric of ‘humanism’ and is now in ultimate decline and decadence. The apocalypse of the human is truly the simple revelation of this fatal strategy.

Here, however, lies the task of any philosophical thought: to go to the limit of hypotheses and processes, even if they are catastrophic. The only justification for thinking and writing is that it accelerates these terminal processes.

—Jean Baudrillard, The Vital Illusion

For Jean Baudrillard the sociological imagination was a mute subject, dead on arrival so to speak. In fact society itself in his later works is already vanishing, disappearing of its own accord because of a simple truth: reality itself had been murdered. In fact, toward the end, Baudrillard himself no longer pursued ‘the Real’. Instead he would speak of Integral Reality, of a realm in which the human and humans had dispersed themselves through a fatal strategy of the kind that was already immanent in the very origins of their technicity.

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