Amy Ireland: Gyres, Diagrams, and Anastrophic Modernism

Anastrophic modernism tells us that we have only discounted the perpetuation of the modernist avant-garde because we have refused to accept the possibility of its inhumanity.

—Amy Ireland, The Poememenon: Form as Occult Technology 

Theory-fiction or philo-fiction as it is sometimes called has become all the rage within certain circles of the academic community in the past few years. Moving away from the strict economy of thought that has come down to us as so many concepts hashed and re-hashed through so many iterations of abstraction to produce something new and unprecedented only to discover it is but a turn, a trope, a shift in perspective and masking of previous thought some thinkers have jettisoned the whole nexus of philosophical discourse for the Outside. As François Laruelle recently said in Struggle and Utopia at the End Times of Philosophy:

Those who are spiritual are not at all spiritualists, for the spiritual oscillate between fury and tranquil rage, they are great destroyers of the forces of Philosophy and the State, which are united under the name of Conformism. They haunt the margins of philosophy, gnosis, mysticism, science fiction and even religions. Spiritual types are not only abstract mystics and quietists; they are heretics for the World

This sense of being a heretic for the World situates certain thinkers who no longer fit within the designated straight-jacket of philosophical or political thought. Such is the work of the now defunct Ccru and its most antagonistic anti-philosopher, Nick Land.

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