Today, the emblematic signs of the technopoesis that holds us in its sway are symptomatic of a future that will be marked less by the violence of an always imaginary apocalypse than by slow suicide. While Nietzsche, Freud, Marx, Heidegger, and Arendt can console us, and perhaps even guide us, nothing has really prepared us for a future that will be fully entangled in the new technopoesis of accelerate and drift, with a still undetermined, deeply intermediated, aftermath of spectacular creativity, fierce violence, and unexpected crashes. For example, digital devices, once thought safely outside ourselves, have now broken barriers of skin and mind, shaping from within the deepest recesses of consciousness, desire, perception, and imagination. Whether at the level of philosophical meditation or personal sensibility, nothing has really prepared us to live out a deeply consequential future prefigured by the specters of drones, algorithms, image vectors, distributive consciousness, artificial intelligence, neurological implants, and humanoid robotics. What is required, perhaps, is an ethical preparation for the slow suicide of technological end-times that are now only just beginning along the watchtowers of fascination and despair, righteous anger and pleasurable nihilism, of speechless moral incredulity at observing the cynical pleasure by which the powerful inflict pain on the powerless, the weak, the poor – all those bodies that don’t matter – and passionate, maybe even, complicit mass resignation.1
- Kroker, Arthur (2014-03-12). Exits to the Posthuman Future (pp. 20-21). Wiley. Kindle Edition.