…ugliness today is a sign and symptom of great transformations to come.
– C.G. Jung on Joyce
Contempt, it turns out, was assimilable to democracy. In fact, rather than subverting democracy, it assisted it by making generally available to the low as well as to the high a strategy of indifference in the treatment of others.
– William Ian Miller, The Anatomy of Disgust
Reading this work of Zizek, ‘Violence‘, awakens in me something old and dangerous, a realization that the power of rhetoric and the dialectic serve each other as either violent partners to an ongoing crime, or as the secret accomplices of a two-thousand year old murder and of the guilt that comes with such monstrous actions. The violence of language is at the forefront of this unique work. Zizek uses every tool at his disposal to bring philosophical speculation down into the street. He is no frigid academic whose prose, grey and analytic, distills truths that are so abstract and cold to be almost useless. No, Zizek opens up the guts of the world, spills out the grotesque humor of our dark heritage in all its disgusting glory, and offers us no absolution but the truth of our own inescapable complicity in a crime we commit daily by both our action and inaction, by our failure to solve the riddle of democracy.
According to a well-known anecdote, a German officer visited Picasso in his Paris studio during the Second World War. There he saw Guernica and, shocked at the modernist “chaos” of the painting, asked Picasso: “Did you do this?” Picasso calmly replied: “No, you did this!” Today, many a liberal, when faced with violent outbursts such as the recent looting in the suburbs of Paris, asks the few remaining leftists who still count on a radical social transformation: “Isn’t it you who did this? Is this what you want?” And we should reply, like Picasso: “No, you did this! This is the true result of your politics! (V 11)”1