The title of this book is a play on the literary genre of magic realism. Later in the twentieth century, writers such as Gabriel García Márquez developed a writing that incorporated elements of magic and paradox.
– Timothy Morton, from Realist Magic
Timothy Morton’s new work is out, Realist Magic: Objects, Ontology, Causality, which is available from Open Humanities Press, and is online at the University of Michigan site. I haven’t had a chance to read through his work, but have enjoyed his previous books on literature and ecology. He is a standup guy and excellent writer. A member of the Speculative Realist movement in its off-shoot branch of Object-Oriented Ontology (OOO) along with Graham Harman, Ian Bogost, and Levi R. Bryant. It should be an interesting read whether your accept or reject its basic premises, and you should enjoy the rigor, energy and eloquence of its argument.
Realist Magic is an exploration of causality from the point of view of object-oriented ontology. I argue that causality is wholly an aesthetic phenomenon. Aesthetic events are not limited to interactions between humans or between humans and painted canvases or between humans and sentences in dramas. They happen when a saw bites into a fresh piece of plywood. They happen when a worm oozes out of some wet soil. They happen when a massive object emits gravity waves. When you make or study art you are not exploring some kind of candy on the surface of a machine. You are making or studying causality. The aesthetic dimension is the causal dimension.
– Timothy Morton, from the Introduction Realist Magic